Grant Showbiz, Richard Mazda, Mark E. Hex Enduction Hour is the hex hall book 3 pdf studio album by the English post-punk band the Fall.
Released on 8 March 1982, it builds on the low-fidelity production values and caustic lyrical content of their earlier recordings. Smith establishes an abrasive Northern aesthetic built in part from the 20th century literary traditions of kitchen sink and magic realism, backed by music largely written by Fall bassist Steve Hanley. Initially intended as the group’s final album, recording for Hex began during a 1981 three-concert visit to Iceland, where Smith was inspired both by the otherworldliness of the island’s landscape and the enthusiasm of an audience unaccustomed to visiting rock groups. The Fall recorded “Hip Priest”, “Iceland” and non-album single “Look, Know” at the Hljóðriti studio in Reykjavík, and the remaining tracks in a disused cinema in Hitchin, Hertfordshire.
The album peaked at 71 on the UK charts and attracted the attention of several record labels. The Fall, Hamburg 13 April 1984. By 1981, the Fall had released three critically acclaimed albums, but band leader Mark E Smith felt the group was undervalued and poorly supported by their label Rough Trade Records, whom he regarded as “a bunch of well meaning but inept hippies”.
He felt constrained by the label’s ethos and worried that the Fall were in danger of becoming “just another Rough Trade band”. Smith made overtures to other labels, and found kindred adventurous spirits at small emergent label Kamera Records. Kamera’s first release in November 1981 was the Fall’s single “Lie Dream of a Casino Soul”, which also featured drummer Karl Burns for the first time since Live at the Witch Trials. Burns previously substituted for Paul Hanley on a US tour when the latter was denied a visa for being too young, and upon the group’s return to the UK, Smith suggested that Burns should stay on as a second drummer.