Jamey aebersold volume 3 pdf

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Naima” is a ballad composed by John Coltrane in 1959 that he named after his wife, Juanita Naima Grubbs. It first appeared jamey aebersold volume 3 pdf the album Giant Steps and is notable for its use of a variety of rich chords over a bass pedal. It is mainly made up of a slow, restrained melody, though there is also a brief piano solo. Coltrane recorded “Naima” many times.


It appears on The Complete 1961 Village Vanguard Recordings, The Complete Copenhagen Concert, Afro-Blue Impressions, and Live at the Village Vanguard Again! Naima” has since become a jazz standard. Jamey Aebersold Play-A-Long – Volume 27 – John Coltrane.

Jazz at the Plaza Vol. Live at the Village Vanguard Again! The Classic Quartet: The Complete Impulse! This page was last edited on 14 November 2017, at 01:14.

By using this site, you agree to the Terms of Use and Privacy Policy. The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord.

Greenblatt defines two blues scales, the major and the minor. African scales’ and the diatonic western scales”. Steven Smith argues that, “to assign blue notes to a ‘blues scale’ is a momentous mistake, then, after all, unless we alter the meaning of ‘scale'”. These ‘blue notes’ represent the influence of African scales on this music.

A different and non-formal way of playing the scale is by the use of quarter tones, added to the 3rd and 7th degrees of the minor blues scale. Guitar players can raise a given note by a quarter tone through bending.

In jazz, the blues scale is used by improvising musicians in a variety of harmonic contexts. It can be played for the entire duration of a twelve bar blues progression constructed off the root of the first dominant seventh chord.