Lighting for digital video and television pdf


Get your weekly DIY lighting for digital video and television pdf with our customized newsletter. You’ve been added to our list. Good stuff is on its way! Is DIY in your DNA?

Become part of our maker community. This article has multiple issues.

Please help improve it or discuss these issues on the talk page. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

This article may need to be rewritten entirely to comply with Wikipedia’s quality standards. The discussion page may contain suggestions. In a theater production, lighting technicians work under the lighting designer and master electrician. In video, television, and film productions, lighting technicians work under the direction of the gaffer or chief lighting technician who takes their direction from the cinematographer.

In live music, lighting technicians work under the lighting director. All heads of department report to the production manager. Lighting technicians are responsible for the movement and set up of various pieces of lighting equipment for separation of light and shadow or contrast, depth of field or visual effects. Lighting Technicians may also lay electrical cables, wire fixtures, install color effects or image patterns, focus the lights, and assist in creating effects or programming sequences.

A lighting technician’s work concerns safety of rigging and working with objects which can be very heavy and get very hot. Basic skill sets are now standardized, and sets and stage are safer through this program.

Choose and combine colors to achieve the desired effectf. Placement and focus of lighting fixtures for any given scene to be photographed. Providing electricity to all support services and departments on the set. Hours of work also vary.

For example, those employed by large television productions generally work more than 40 hours a week, 60 hours or more are not uncommon. Technicians and other crew members typically work a 12-hour day. Depending on script requirements, stage and locations bring on their own requirements for lighting and effects.

Out of state, or country to get the right look in a script is not uncommon. Location work always brings on its own challenges.